My sources of inspiration for the Mauritius series come from my own photographs as well as those of Mauritian photographer Kevan Cadinouche, whom I met in 2024. Using these images, I created collages, incorporating paper, paint, and textures.

Color acts as an element of rupture or tension, detached from any realistic intention. I do not seek to reproduce Mauritius in a documentary manner, but rather to offer a visual interpretation structured around fragments, formal associations, and contrasts. In this process, the photographs become plastic materials at the service of an autonomous visual construction.

Mauritius is a series in which the photographic archive becomes living material. The territory is not represented as a geographical location, but conceived as a space for composition, from which memory, perception, and plastic language are articulated.