Virginie Hotte

Virginie Hotte

Collagist


Virginie Hotte is a contemporary collage and mixed-media artist who uses collage as both a free and structuring mode of expression. Her practice connects photography-based art, visual texture, and layered composition to create a personal language positioned between reality and imagination.

Each artwork begins with a personal photograph, often captured during her travels. This image becomes the foundation of the piece, then evolves through transformation, layering, and recomposition. The result is a visual landscape—sometimes abstract, sometimes figurative—shaped by emotion, memory, and perception.

In a fast-paced world saturated with images, Virginie Hotte’s collages offer moments of pause and reflection. Through cutting, layering, and assembling, she explores themes such as memory, trace, and the different strata of reality. Every visual fragment becomes a way to question time, experience, and the construction of meaning.

Her artistic process places the initial photograph at the center of a broader transformation, affirming collage as a medium of thought, memory, and contemporary visual experimentation. Now based in Belgium, she continues to develop a unique body of work rooted in sensory experience and photographic observation.


Nature

Inspired by a close observation of the living world, I create mixed-media collages combining my own photographs, paper, paint, and textured materials. 

Trees, leaves, branches, birds, amphibians, and insects emerge as fragile, fragmented, and reimagined presences within each composition.

Every artwork explores the tension between organic spontaneity and visual construction, between delicacy and vitality, offering a contemporary interpretation of nature-inspired collage art.

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She/They

Inspired by my photographs of mural paintings found in New York’s urban landscape, I create mixed-media collages combining paper, paint, and textured materials.

I integrate the female figure as a free, multifaceted, and interior visual construction.

Each artwork explores the tension between visibility and withdrawal, strength and fragmentation, revealing a contemporary perspective on identity and presence.

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New York

In this New York series, I compose works from photographic fragments, urban signs, graphic textures, and pictorial interventions. These elements overlap and interact to convey the intense rhythm, energy, and constant change of the city.

Through mixed media compositions, I highlight the architecture, visual density, and saturation of signs that characterize New York's urban space.

Each work presents itself as a reinterpreted fragment of New York's emblematic atmosphere, between visual memory, sensory perception, and artistic reconstruction.

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Mauritius

My sources of inspiration for the Mauritius series come from my own photographs as well as those of Mauritian photographer Kevan Cadinouche, whom I met in 2024. Using these images, I created collages, incorporating paper, paint, and textures.

Color acts as an element of rupture or tension, detached from any realistic intention. I do not seek to reproduce Mauritius in a documentary manner, but rather to offer a visual interpretation structured around fragments, formal associations, and contrasts. In this process, the photographs become plastic materials at the service of an autonomous visual construction.

Mauritius is a series in which the photographic archive becomes living material. The territory is not represented as a geographical location, but conceived as a space for composition, from which memory, perception, and plastic language are articulated.

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